Of the tip of the wire the phrase without (o) balance escapes In verses above can notice as the poet valley of the spalling of some verses to strengthen the meaning of the poem: ' ' frase' ' that ' ' escapa' ' of the poem it can not only be perceived auditorily. Of this form, the metaphor of poetical making, the search for word that ' ' foge' ' of the poem, it earns in expressividade by means of a visual resource, that is, of the disposal of the words in the page. We still have, in these verses, the use of the parntesis, that also will serve here as a visual resource, therefore one of the possible readings for this ' ' (o)' ' it would be of that it represents a center, that is, a break-even point, or, in another reading, an essential point. In the same poem, some verses below, in ' ' to break (it went) the bird. Foge' ' , the author uses the parntesis again as an aesthetic-estilstico resource, however, more not desiring a effect visual, but, yes, to stand out the possibility to find words of other words inside, in a process of digger, or better, paleontlogo, that he will happen again himself incessantly in its posterior books. Such process of ' ' hollowing of palavras' ' exclusively it is not made with aid of parntesis, can also be made by means of the spalling of words, as it happens in following verses of ' ' Max, lean poeta' ': ' ' It will be that you found in contrast with flor' '. Of this form, the poet displays two vocbulos that if hide inside of ' ' encontraste' ' e, very subtle, starts to define its poetry as something that must be read, ear and visa, a time that such effect provoked for ' ' to break (it went) ' ' ' ' you found in contraste' ' if they would lose case the reading one only listened to the poem. .